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Warner Bros.â competing Elm Street reboot is out, leaving Paramount Primal as the lone Freddy track after the studio merger. The Craven estate-backed Paramount project remains in development, with no confirmed writer or director locked yet.
April 2, 2027 theatrical date set for Nicolas Curcioâs micro-budget horror debut; Universal Pictures International will handle overseas, with Focus Features and Blumhouse Atomic keeping their Obsession-era pipeline moving.
Concord Originals is developing supernatural gothic horror feature Wolf at the Door as an in-house play adaptation; Agustina San MartĂn boards to direct from Marisela Treviño Ortaâs script, with casting underway and Concord leveraging its BMG, Theatricals and RKO IP vault.
Curzon has snapped up Theo Rhysâ body-horror musical for UK-Ireland release after its TIFF Discovery bow; Cornerstone is shopping international rights at AFM. Jodie Comer and Harry Melling headline the BFI-developed feature.
Dead-End Job opened at No. 1 on Netflixâs non-English TV chart with 8.7M views and top-10 placement in 76 countries; the Korean horror black comedy topped 22 markets.
Netflixâs Stranger Things prequel underscores franchise IP power; Parrot Analytics and Ampere data show sci-fi, horror and supernatural series premieres sliding even as horror films keep outperforming.
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