100% of tracked dealflow (3/3) is remake reboot; 100% of classified deal mediums are film; 100% of staged deals sit early-funnel (in-development or greenlit).machine-derived from the deal record below — not an editorial mandate statement
| Project · attached | Deal type | Latest reported stage | Items | Last seen |
| Get Out
Keegan-Michael Key · Patrick Stewart · Zach Cregger |
— | 7 | Apr 8 ↗ |
| Project · attached | Deal type | Latest reported stage | Items | Last seen |
| Blair Witch
Dylan Clark · Sam Raimi · Daniel Richtman |
remake reboot | greenlit | 3 | Jul 3 ↗ |
| Jul 3 |
'Blair Witch Project' Reboot Sets September 2027 Release Date, YouTuber Dylan Clark Directing
with Lionsgate, Dylan Clark, Joshua Leonard, Michael C. Williams, Heather Donahue
|
Phantasmagoria+2 src | A+ |
| Apr 9 |
LIONSGATE AND BLUMHOUSE’S “BLAIR WITCH” REBOOT FINDS DIRECTOR
with Lionsgate, Blumhouse, Dylan Clark, Sam Raimi, The Blair Witch Project
|
Scream Magazine | A+ |
| Apr 1 |
‘The Blair Witch Project’ Remake Reportedly Finds a Director
with Dylan Clark, Lionsgate, Blumhouse, Daniel Richtman, Sam Raimi
|
Bloody Disgusting | A+ |
Source. Assembled from ScreamWire's classified archive — 36 wire items (Feb 20 → Jul 15) matching Jordan Peele, deduplicated by URL (7 cross-day re-sightings removed). Every entry links to the original reporting. Descriptive, never predictive.
Why no deal amounts. Only 0.7% of tracked deal items site-wide carry a reported figure — the trades rarely publish terms — so dollar amounts appear only as the source phrased them (e.g. “rich eight-figure deal”), never as comparable numbers. This is a deal-flow tracker, not a comps database.
Buyer/seller roles are captured on a minority of deal items today; role-based stats are suppressed until capture coverage improves.
Slate clusters coverage by project title; stage is the latest reported stage, never a projection. Amber “via” badges mark titles tracked within this entity's coverage orbit but released by another distributor. Grades are ScreamWire's editorial coverage grade — how strongly the wire covered the story — not a deal-quality score.