112 records flagged as deal coverage could not be tied to A24, a named project, a role and a transaction from their headlines; they are not counted here and are listed with sources under Unresolved.
Listed only when a headline names A24, the project and A24’s role. People are those the same headlines name. Newest first.
Names as they appear in sourced items; no contact data by design.
Grosses as reported — “via” badge = released by another studio.
Tap a row to expand the shared record.
One row per transaction; reports of the same transaction are merged under it. Dates are when ScreamWire first archived a report. Amounts appear only as the source phrased them.
| Sep 26 |
Ella Purnell, Caleb Landry Jones & Samba Schutte Latest To Join Ari Aster’s ‘Scapegoat’ For A24 & Square Peg
with Ella Purnell, Caleb Landry Jones, Samba Schutte
|
Deadline | A+ |
| Sep 12 | Dior and A24 Strike Two-Year Partnership Across Film and Theater | The Hollywood Reporter | C |
| Jul 31 |
Julie Delpy, Emma D’Arcy and Takehiro Hira Join Sonoya Mizuno’s ‘Stages’ for A24 as Focus Boards for International
with Julie Delpy, Emma D'Arcy, Takehiro Hira
|
Variety | C |
| Mar 23 |
Abubakr Ali, Quintessa Swindell, Jennifer Jason Leigh & Gaby Hoffmann Join Sean Durkin’s ‘Deep Cuts’ At A24
with Abubakr Ali, Quintessa Swindell, Jennifer Jason Leigh, Gaby Hoffmann
also reported by Google News (A24)
|
Deadline2 reports | A |
| Mar 4 | A24 Adapting Laura Shepherd-Robinson's 'We Are The Dead' For TV | Google News (A24) | B |
| Feb 25 | A24 Will Release ‘Undertone’ in the Best-Sounding Venues You Can Imagine | IndieWire | A |
ScreamWire’s classifier tagged these as deal coverage, but the headline does not establish A24, a named project, A24’s role and the transaction. They are excluded from every count on this page and kept, with their sources, for review — newest 25 below; all 112 are in the unresolved list.
Source. Assembled from ScreamWire's classified archive — 704 wire items (Feb 18 → Nov 5) matching A24, deduplicated by URL (82 cross-day re-sightings removed). Every entry links to the original reporting. Descriptive, never predictive.
Why no deal amounts. Only 1.9% of tracked deal items site-wide carry a reported figure — the trades rarely publish terms — so dollar amounts appear only as the source phrased them (e.g. “rich eight-figure deal”), never as comparable numbers. This is a deal-flow tracker, not a comps database.
What counts as a transaction. A row appears under Transactions, Slate or What they buy only when the publisher’s headline names A24, names the project, and states A24’s role in a transaction (bought, set up, developing, ordered, distributing, hired or cast for…). A company mentioned alongside a film is not enough, and neither is a classifier tag. Reports of the same transaction are merged; separate transactions on one project, such as a set-up and a later casting, stay separate. 112 deal-flagged records did not meet the test and are listed under Unresolved.
What these counts are not. They describe what ScreamWire has confirmed from its own archive of published coverage — not everything A24 has done. A deal we never archived, or one whose report does not state the role plainly enough to meet the test above, is absent from every number on this page. Read them as a floor on activity we can evidence, never as a complete slate.
Source material and medium are recorded only when the headline states them; otherwise “not stated”. Dates are when ScreamWire first archived a report, so a resurfaced older story can carry a later date; reviewed exceptions are listed in the repository’s record-review file.
Grades are ScreamWire's editorial coverage grade — how strongly the wire covered the story — not a deal-quality score.