50% of tracked dealflow (2/4) is book adaptation; 75% of classified deal mediums are film; 100% of staged deals sit early-funnel (in-development or greenlit).machine-derived from the deal record below — not an editorial mandate statement
Grouped by latest reported stage — reported, never inferred.
Names as they appear in sourced items; no contact data by design.
Tap a row to expand the shared record.
Amounts shown as reported — ScreamWire tracks deal flow, not comps.
| Apr 10 |
EXIT 8 Interview with Director / Co-Writer Genki Kawamura
with Genki Kawamura, Kazunari Ninomiya, Yamato Kôchi +4
|
Daily Dead+1 src | A+ |
| Apr 8 |
Neon Reveals Final Poster for ‘Exit 8’ Ahead of This Weekend’s Premiere
with James Wan, Call of Cthulhu, H.P. Lovecraft +4
|
Google News (Neon)+4 src | A+ |
| Apr 1 |
‘Exit 8’ Director Says They’re Discussing a Remake of His Liminal Horror Hit [Exclusive]
with Genki Kawamura, Exit 8, Neon +1
|
Dread Central+1 src | A+ |
| Mar 23 |
How Arnold Schwarzenegger Turned A $0 ‘Twins’ Salary Into A $40 Million Payday
with Arnold Schwarzenegger, Danny DeVito, Ivan Reitman +1
|
No Film School | C |
Source. Assembled from ScreamWire's classified archive — 47 wire items (Mar 12 → Aug 31) matching Overlook Film Festival, deduplicated by URL (0 cross-day re-sightings removed). Every entry links to the original reporting. Descriptive, never predictive.
Why no deal amounts. Only 0.9% of tracked deal items site-wide carry a reported figure — the trades rarely publish terms — so dollar amounts appear only as the source phrased them (e.g. “rich eight-figure deal”), never as comparable numbers. This is a deal-flow tracker, not a comps database.
Buyer/seller roles are captured on a minority of deal items today; role-based stats are suppressed until capture coverage improves.
Slate clusters coverage by project title; stage is the latest reported stage, never a projection. “via” badges mark titles tracked within this entity's coverage orbit but released by another distributor. Grades are ScreamWire's editorial coverage grade — how strongly the wire covered the story — not a deal-quality score.