67% of tracked dealflow (8/12) is remake reboot; 100% of classified deal mediums are film; 75% of staged deals sit early-funnel (in-development or greenlit).machine-derived from the deal record below — not an editorial mandate statement
| Project · attached | Deal type | Latest reported stage | Items | Last seen |
| Scream 7 | — | 3 | Mar 10 ↗ |
| Project · attached | Deal type | Latest reported stage | Items | Last seen |
| Weapons
Zach Cregger · Roy Lee · Amy Madigan |
remake reboot public domain adaptation | greenlit | 3 | Apr 15 ↗ |
| Project · attached | Deal type | Latest reported stage | Items | Last seen |
| Possession
Parker Finn · Callum Turner · Margaret Qualley |
remake reboot | in production | 3 | Jul 24 ↗ |
| Project · attached | Deal type | Latest reported stage | Items | Last seen |
| Backrooms
Adam Scott · Lee Cronin · Kane Parsons |
option | optioned | 5 | Jul 2 ↗ |
| Jul 24 |
Parker Finn’s ‘Possession’ Remake Starts Filming With Margaret Qualley Channeling Isabelle Adjani — Shot in 35mm
with Paramount, Parker Finn, Margaret Qualley, Callum Turner, Diego Calva
|
World of Reel+1 src | A+ |
| Jul 9 |
Diego Calva Joins Supernatural Thriller ‘Possession’ From Paramount
with Diego Calva, Callum Turner, Margaret Qualley, Paul Dano, Parker Finn
|
Deadline | A+ |
| Jul 2 |
After Backrooms, Hollywood Goes All-In On Siren Head
with Warner Bros., Trevor Henderson, Zach Cregger, Brian Duffield, Roy Lee
|
Cosmic Book News+5 src | A+ |
| Jul 1 |
Paul Dano Joins ‘Possession’ Remake At Paramount
with Parker Finn, Callum Turner, Margaret Qualley, Paul Dano, Paramount
|
Deadline+9 src | A+ |
| Jun 13 |
WME Signs Rising Horror Scribe Chris Thomas Devlin
with Chris Thomas Devlin, WME, Lionsgate, Blumhouse-Atomic Monster, Dylan Clark
|
Deadline | A |
| May 17 |
Sam Raimi directs Magic remake for Lionsgate with Send Help writers
with Sam Raimi, Lionsgate, Mark Swift, Damian Shannon, Roy Lee
|
Tbreak Media | A |
| May 4 |
AI Assisted Animated Film ‘Critterz,’ From the Writers of ‘Paddington in Peru,’ Boarded by AGC
with AGC Studios, Stuart Ford, James Lamont, Jon Foster, Tom Butterworth
|
Variety | A |
| Apr 3 |
Zach Shields Co-Writes ‘Weapons’ Prequel with Cregger: ‘Gladys’ Is Happening
with Zach Shields, Zach Cregger, New Line Cinema, Warner Bros., Roy Lee
|
Google News (Zach Cregger) | A+ |
| Apr 2 |
‘Weapons’ Prequel Adds ‘Godzilla’ Scribe Zach Shields to Write With Zach Cregger
with Zach Cregger, Zach Shields, New Line Cinema, Roy Lee, Julia Garner
|
THR+4 src | A+ |
| Mar 28 |
‘Lights Out 2’ Turned on as New Line Hire ‘Animals’ Scribe (Exclusive)
with New Line Cinema, Connor Osborn McIntyre, Lawrence Grey, Eric Heisserer, David F. Sandberg
|
THR+1 src | A+ |
| Mar 13 |
Martin Scorsese’s StudioCanal-backed What Happens at Night, starring Leonardo DiCaprio and Jennifer Lawrence, begins shooting - Production / Funding - USA/France
with My Dearest Señorita, Elisabeth Martínez, Javier Ambrossi, Javier Calvo, Fernando González Molina
|
Cineuropa | A |
| Feb 24 |
Zach Cregger has been given carte blanche on his Resident Evil movie
with Zach Cregger, Shay Hatten, Constantin Film, Oliver Berben, Austin Abrams
|
JoBlo+13 src | A+ |
Source. Assembled from ScreamWire's classified archive — 67 wire items (Feb 24 → Jul 27) matching Vertigo or a tracked alias, deduplicated by URL (9 cross-day re-sightings removed). Every entry links to the original reporting. Descriptive, never predictive.
Why no deal amounts. Only 0.7% of tracked deal items site-wide carry a reported figure — the trades rarely publish terms — so dollar amounts appear only as the source phrased them (e.g. “rich eight-figure deal”), never as comparable numbers. This is a deal-flow tracker, not a comps database.
Buyer/seller roles are captured on a minority of deal items today; role-based stats are suppressed until capture coverage improves.
Slate clusters coverage by project title; stage is the latest reported stage, never a projection. Amber “via” badges mark titles tracked within this entity's coverage orbit but released by another distributor. Grades are ScreamWire's editorial coverage grade — how strongly the wire covered the story — not a deal-quality score.