Horror Industry News — Sunday, March 1, 2026

Jason Blum received the PGA Milestone Award and used his speech to champion risk-taking: thanked industry allies (Barry Diller, Bryan Lourd, Donna Langley) and name-checked James Wan as a creative partner — reinforces Blumhouse's stature and Blum's industry relationships as leverage for future horror projects.

David Robert Mitchell's project formerly titled Flowervale Street has been retitled The End of Oak Street; no distributor, release date, or financing details included.

Collider reports Sam Raimi's three-part horror series has been made easier to stream/watch — no distributor, platform, or remaster details provided in the excerpt.

Gerard Way revealed concept art and details for an unmade Batman pitch ('Batman: Kingdom of the Mad') that DC/Vertigo once approved but never published; ties his comic career to Umbrella Academy's Netflix success.

Warner Bros’ Sinners won Best Music Supervision (Major Budget) and Best Song at the Guild of Music Supervisors — Raphael Saadiq and Ludwig Göransson co-wrote the Oscar-contending 'I Lied to You'; A24's Marty Supreme and Sony's One of Them Days also took film prizes.

IMDb posted the trailer for Tubi's The Bachelorette Party, positioning it as a girls-trip-turned-murder-mystery — no production companies, talent list, or release date included in excerpt.

Deal valued at $110bn; Paramount offered $31 per WBD share plus additional consideration; combined studio will release 30 films/year (15 each) with a minimum global 45‑day theatrical window and targets Q3 2026 close pending regulatory and shareholder approvals.

Alex Garland's Men (his divisive post-Ex Machina film) arrives on HBO Max March 1, 2026, expanding the film's streaming availability four years after release and boosting genre content on the platform.

TVLine reports The Strain nearly derailed after a damaging studio note early in development; details illustrate studio interference risk in horror TV adaptation processes but list no specific deals.

People explains the film's narrative choices that account for Melissa Barrera and Jenna Ortega's absence and recaps where Neve Campbell's character was left at the end of Scream VI.